Publication / Bibliography (Selected)

Excitable Tissues	Biennale of Sydney	e-art: New Technologies and Contemporary Art	Upcoming	New Media Art History

Exhibition Catalogues

2004 Biennale of Sydney: On Reason and Emotion. Biennale of Sydney 2004, Sydney, Australia, 2004.

Ars Electronica. Landesgalerie Museum of Contemporary Art. Linz, Austria, 1994.

Arte Virtual. Metro Opera. Madrid, Spain, 1994.

The Art Formally Known as New Media, Banff Centre for the Arts, Banff, AB: 2006.

Aurora. InterAccess Gallery. Harbourfront, Toronto: 1998.

Catherine Richards. Excitable Tissues. Ottawa Art Gallery, Ottawa: 2003.

Charged Hearts. National Gallery of Canada, Ottawa: 1997.

Cultura digital. Centro Cultural Conde Duque, Madrid, Spain: 2006.

Electromagnetic Bodies, Aether, Desire: resonance in art and technology. V2/TENT, Rotterdam, Netherlands. MEP (Maison européenne de la photographie), Paris: 2006. (forthcoming)

Engaging the Virtual. Dalhousie Art Gallery, Halifax: 2000.

Digital Discourse. St James Cavalier Centre for Creativity, Malta: Valletta, 2005.

e-art: New Technologies and Contemporary Art. Montreal Museum of Art, Montreal: 2007.

2004 Biennale of Sydney: On Reason and Emotion. Biennale of Sydney 2004, Sydney, Australia: 2004.

Résonance, the Electronmagnetic Bodies Project. Ludwig Múzeum - Kortárs M?vészeti Múzeum - Museum of Contemporary Art, Budapest: 2006.

Rezonancia, Elektromagneses testek. Ludwig Museum of Contemporary Art, Ludwig, Germany: 2006.

Space, Time, and Realities. A Space Gallery. Toronto: 1997.

Tekno Viscera. Institute of Modern Art. Fortitude Valley, Australia: 1993.

Books and Essays

Art and Electronic Media. Ed. Edward A. Shanken. Pending publication: Phaidon Press, London, 2007.

“Catherine Richards: The Virtual Body.” Art and Feminism. Ed. Helena Reckitt and Peggy Phelan. London: Phaidon, 2001. 171.

Angerer, Marie-Luise. “alt.feminism/alt.sex/alt.identity/alt.theory/alt.art” Springer. June (1995): 32-41.

Baert, Renée. “Subjects on the Threshold: Problems with Pronouns”. Parachute. 69 (1993): 14-21.

Davis, K. D. “Spatial Deception: Art and Gender on the Net”. World Art. February (1995): 10-15.

Dyson, Frances. “Charged Havens”. World Art. March (1996): 42-47.

"Catherine Richards: The Virtual Body." Art and Feminism. Ed. Helena Reckitt and Peggy Phelan. London: Phaidon, 2001. 171.

Dyson, Frances. Sounding New Media: rhetorics of immersion and embodiment in the arts. Pending publication: UC Press, Cal., 2007.

Guertin, Carolyn. "Gesturing Toward the Visual: Virtual Reality, Hypertext and Embodied Feminist Criticism". Surfaces, 8 (1999) .

Hayles, N. Katherine. "Embodied Virtuality: or How To Put Bodies Back in the Picture". Immersed in Technology: Art and Virtual Environments. Ed. Mary Anne Moser. Cambridge, Mass: MIT Press, 1996. 1-28.

Hayles, N. Katherine. "Embodied Virtuality: or How To Put Bodies Back in the Picture". Art and Feminism. Eds. Helena Reckitt and Peggy Phelan. London: Phaidon, 2001. 277-278.

Huhtamo, Erkki. “Excavation Area: A Virtual Gallery of Archeological Art”. InterCommunication. 14. Tokyo: NTT Publishing, Autumn (1995): 147.

Morse, Margaret. "The Poetics of Interactivity." Women, Art, & Technology. Ed. Judy Malloy. Cambridge, MA: MIT Press, 2003. 16-33.

Sawchuck, Kim. “Catherine Richards”. Parachute. 89 (1998): 49-50. Jan/Feb/March 1998.

Sawchuck, Kim. “Charged Heart: The Electronic Art of Catherine Richards”. Horizon 0.6 (2003). Banff New Media Institute, 2003 .

Tofts, Darren. "Metaphysics and Mash at Harry's Café de Wheels: New media at the Sydney Biennale." Criticism + Engagement + Thought: On Reason and Emotion 2004 Biennale of Sydney. Eds. French et al. Sydney: Artspace, 2004. 23-28.

Tuer, Dot. "The Heart of the Matter." Mining the Media Archive. Essays on Art, technology, and cultural resistance, Toronto: XYZ Books, 2005. 25-33.

BY THE ARTIST

Books Edited

Richards, Catherine and Nell Tenhaff, eds. Virtual Seminar on the BIOAPPARATUS. Banff, AB: Banff Centre for the Arts, 1991.

Chapters in Books

Richards, Catherine, "Excitable Tissues and Virtual Worlds: Art, Science, and Technology", Reading and Writing Canada. Ed. Judith Miller. New York: W.W. Norton & Company, 2005. (forthcoming)

Richards, Catherine, "Excitable Tissues and Virtual Worlds: Art Science, and Technology", Inno'va-tion2: Essays by Leading Canadian Researchers. Canadian Foundation for Innovation. www.innovation.ca.

Richards, Catherine, "Fungal Intimacy: The Cyborg Trope in Feminism and Media Art". Clicking In: Hot Links to a Digital Culture. Ed. Lyn Hershman Leeson. San Francisco: Bay Press, 1996. 258-263.

Richards, Catherine, "A Letter on Fungal Intimacy: Art, New Media and Feminist Tropes". Fractal Dreams: New Media in Social Context. Ed. Jon Dovy. London: Lawrence & Wishart Ltd., 1995. 182-193.

Richards, Catherine, “It’s Déja Vù All Over Again: Virtual Reality”. Canadatext(e). New York: Semiotext(e), 1994. 264-267.

Richards, Catherine, “Tactical Zones: Collapse of the Visual”. Cartographies: The General Assembly on New Media Art / Cartographies: Les Etats généreaux de nouveaux medias, Montréal, October 2000. Inter-Society for the Electronic Arts / L’Inter-Société des arts électroniques.

Richards, Catherine and Nell Tenhaff. "The BIOAPPARATUS Residency and Virtural Seminar". Virtual Realities: Anthology of Industry and Culture. Ed. Carl E. Loeffler. Tokyo: Gijutsu Hyoron Sha, 1993. 235-228. Book republished in English: Virtual Reality Casebook. Ed. Carl E. Loeffler and T. Anderson. New York: Van Nostrand Reinhold, 1994. 191-198.

Catalogue Essays, Journal and Magazine Articles

Richards, Catherine, "Art and Technology: Virtual Worlds." Innovation Canada. Canadian Foundation for Innovation, 2002.

Richards, Catherine, “Body Boundaries”. Ylem. 19.2 (1999). Ed. Paul Hertz. Ordina, CA: Ylem, 1999.

Richards, Catherine, “Mapping a Sensibility: Computer Imagaging.” SIGGRAPH’83: Exhibition of Computer Art. SIGGRAPH – Special Interest Group for Computer Graphics and Animation, Chicago, IL, 1983. 21.

Richards, Catherine, “Virtual Bodies”. Public 11: Throughput. Toronto: Public Access, 1995. 34-39.

Richards, Catherine, “Virtual Bodies”. Public 19/20: Lexicon 20th Century A.D. Toronto: Public Access. 2.2 (2000): 101-102. Richards, Catherine, “Virtual Bodies, What a Blow that Phantom Gave Me”. Angles of Incidence: reflections of multimedia artworks. Proceedings of the Multimedia Communications ‘93 Conference, International Council for Computer Communication, Banff. April, 1993. Banff, AB: Media Arts Program – Banff Centre for the Arts, 1993. 15-22. Republished in French: Deuxièmes Rencontres Internationales Art Cinéma/Art Vidéo/Art Ordinateur. Vidéothèque de Paris: March, 1994. Republished in Dutch: The Eldorado Media Art Series. Antwerp, Belgium: 1994.

Richards, Catherine, “Virtual Reality: The Rebirth of Pure Art?” Women’s Art. 41, (1991). July/August, 1991. 4-6.

Richards, Catherine, “Virtual Worlds, Digital Images”. American Film Institute Video Festival. Los Angeles: American Film Institute, 1987. 66-67.

Richards, Catherine, “VR”. Excerpt from “Virtual Bodies”. Public 19/20: Lexicon 20th Century A.D. Toronto: Public Access. 2.2 (2000): 101-102. Republished in Spanish. “Cuerpos virtuales” Arte Virtual. Electa: Madrid, Spain, 1994.